Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

Monday, June 9, 2014

...the 2014 Tony awardee

Pinoy producer wins 2 Tonys

06/09/2014
 
 


NEW YORK - A murderous musical called "A Gentleman's Guide to Love and Murder" came out as the 68th Tony Awards' biggest winner on Sunday night.

"Gentleman's Guide" won 4 Tonys out of its 10 nominations -- including Best Musical, Best Costume, Best Direction, and Best Book of a Musical.

Meantime, Denzel Washington's "A Raisin in the Sun" won a Tony for Best Revival of a Play.

But what many kababayans do not know is that behind these productions is a Tony-winning Filipino.

Jhett Tolentino, of Joanjhett Productions, is the recipient of 2 Tonys on Sunday night as one of the co-producers of the 2 shows.

Tolentino, an Iloilo native, is the third Filipino to receive a Tony following Lea Salonga's Best Lead Actress in a Musical award and Robert Bobby Lopez's 2 Best Original Score and Best Book wins.

"I kept thinking of Lea Salonga and Bobby Lopez, those Filipinos who's been there. I'm carrying the tradition that we have to be represented every year, and I'm so honored to be in the producing side," he said.

This is also his third Tony win after receiving his first Tony last year for co-producing "Vanya and Sonia and Masha and Spike" -- the 2013 Tony winner for Best Play.

"It's a home run, it's fantastic. I'm so appreciative of all the love of the community and all the supporters, really. Thank you, thank you, and bringing pride to the Pinoys," Tolentino said.

Meantime, Filipino-American Broadway star Adam Jacobs, who plays the lead role in the Tony-nominated musical "Aladdin," performed live at the Radio City Music Hall last night.

"Oh my God, I still believe he is our Hugh Jackman in the Filipino community, and I'm so glad he got the drama desk nomination for the lead actor. He's underrated, he has to be there. I can't wait for him to be up there too to get a Tony himself," Tolentino said.

Tolentino is also one of the producers of another 2014 Tony-nominated play, "The Velocity of Autumn," as well as the hit musical "Here Lies Love."

 

Friday, April 25, 2014

...the 2014 Time 100's most influential people

Fil-Am composer is in Time 100's 'Most Influential' list

 
 
A year after Time named President Benigno Aquino III and a Filipino doctor among the world’s “most influential,” the magazine included another Filipino in its list.

Robert Lopez, a U.S.-based songwriter of Filipino descent, shared a spot in the Time 100 list with his wife Kristen Anderson-Lopez for the song “Let It Go.”

Robert and his wife “are both completely steeped in the traditions of Broadway musicals,” their colleagues Trey Parker and Matt Stone said in their Time profile.

The couple won an Oscar for Best Original Song earlier this year. They rose in popularity along with the highly acclaimed Disney animated film “Frozen.”

Robert also became one of the few people who have won the grand slam of entertainment industry awards or the “EGOT”—Emmy, Grammy, Oscar and Tony.

“[T]hey’re really smart and would never be happy just regurgitating what’s come before,” the couple’s profile in the Time 100 issue said further.

With their inclusion in Time 100, Robert and Kirsten joined the ranks of international pop superstar Beyonce, as well as U.S. President Barack Obama and Pope Francis.

The Time 100 is compiled through the help of journalists around the world, as well as the lists’ alumni, “many of whom are as influential as ever,” the magazine said.

“The vast majority of this year’s roster reveals that while power is certain, influence is subtle,” Time said, highlighting the power of the media to shape public opinion.

Last year, Time named Aquino among the world’s most influential. It also honored Katherine Luzuriaga, a doctor born of a Filipino father, for her work on HIV-AIDS.
 
 

Saturday, January 11, 2014

...the Pinay performer at Beijing Opera

Annie Luis is first Filipino performer at the Beijing Opera

By Walter Ang
Philippine Daily Inquirer



 

ANNIE LUIS, first Filipino graduate of the Peking Opera Performance program of the National Academy of Chinese Theatre Arts

Annie Luis is the first Filipino graduate of the Peking Opera Performance program of the National Academy of Chinese Theatre Arts. She completed the program in 2008 and proceeded to finish a master’s degree in Directing Traditional Chinese Theatre.

“‘Beijing or Peking Opera’ is how the rest of the world knows it,” she explains. “However, this is just a foreign scholar’s translation of a Chinese term that cannot really be translated perfectly.”

She adds: “It is called jingju; ‘jing’ comes from the name of the city, Beijing, where this genre was born; and ‘ju’ means play or drama. The Western definition of drama could not quite include the musical aspect of this genre; hence it was considered a kind of opera, even if opera is hardly the same as jingju.”

Epiphany

LUIS performing a jingju piece

Hailing from Laoag, Ilocos Norte, Luis grew up “in the part of the woods where arts was a luxury and definitely could not be considered a profession.”

At age 10 she had an epiphany when she saw a video of the musical “Annie.”

She remembers thinking at the time: “You can actually sing and dance and act at the same time? This is theater? Oh, goodie!” But she had to satisfy her newfound interest with soundtrack cassette tapes and videotapes of live performances since there weren’t many shows in her hometown.

Luis flexed her theater muscles in high school. “I was more of a director than an actress because I liked ordering people around,” she says, laughing.

“Classical singing came in after I shared an apartment with music and voice majors while studying theater at the University of the Philippines,” she recalls.

This was when her fascination with jingju began.

Stylized

“I’d always been interested in Brechtian/Epic Theater and the alienation effect that it espouses. After I saw a video of a jingju performance, I was immediately drawn to its apparent alienation effect,” she says.

“The whole storytelling, with its presentation of music, song, speech, dance and acting, was stylized yet incredibly engaging. It presented a synthesis of art forms rolled into one unique theater experience,” she adds. (She found out during her studies that Bertolt Brecht was actually a fan of jingju.)

LUIS being assisted into her costume

After college, she performed with several groups, including the Bayanihan Dance Company. She eventually found her way to Beijing with a grant from the China Scholarship Council.

Luis had to learn the Chinese language for a whole year before she could even begin the performance program.

“I had to put in extra effort to translate lyrics just to understand and properly express what I was singing,” she says.

Different techniques

Cultural adjustments were also a constant challenge. “Chopsticks posed a threat to my well-being so I always carried a fork in my bag, just in case,” she quips.

To add another hurdle, her background as a singer didn’t prepare her for the singing involved in jingju. “The style is different: nasal, shrill, with a different technique for resonance.”

She says, “I spent at least one school year just learning the singing, acting, movement and dance for a 12-minute piece. That is how much work jingju requires of a foreigner without previous exposure to the form.”

Now that she’s back in Manila, Luis works at the International Affairs Office of the National Commission for Culture and the Arts while still dancing with Bayanihan.

“There are some things that I learned in jingju that I am able to use discreetly in my work for Bayanihan,” she says. “I hope to teach jingju in the future, and realize a joint production of a Filipino sarswela and jingju with both Filipino and Chinese artists.”

 

Saturday, May 25, 2013

...the Filipinos talents of HK Disneyland

How Filipino talent continues to bring magic to HK Disneyland


By Rony Fortich
Philippine Daily Inquirer



RONY FORTICH, now on his seventh year as music director of Hong Kong Disneyland



In 2005, I was one of hundreds of Filipinos auditioning for a job at Hong Kong Disneyland.

I didn’t have to dance or sing, but the nerves and nausea were still there. You see, my audition for musical director was to run the audition, as Disney executives observed. It involved sight reading, teaching songs and working with the singers.

Among them was Ralion Alonso, theater actor and TV personality. I remember nervously whispering to him and other friends that day: “Hey guys, this is my audition too!”



JC Santos



Luckily, I didn’t have to wait too long before I found out that I had gotten in. And so did Ral. We were all excited, but truth is, nobody back then really knew what to expect from the job. We just knew we were gonna have fun.

Who knew that fun would be just the tip of the castle? The job would change our lives.

Grand Opening team

The Grand Opening team, as we called the group that opened Hong Kong Disneyland, had many talented Filipinos from many different dance groups, theater companies, and orchestras.

THE GOLDEN Mickeys—which, from the opening of Hong Kong Disneyland in 2005, has included a good number of Filipino cast members. That’s Pheona Baranda in the center foreground.

Dancers were from Power Dance, Ballet Philippines and Hotlegs, among others. Musicians came from the University of the Philippines, University of Santo Tomas, Manila Philharmonic Orchestra, Philippine Philharmonic Orchestra and popular jazz bands like Ugoy Ugoy.

Vocalists came from all around too, including companies like Repertory Philippines, Atlantis Productions and Trumpets. I had worked with many of them in my time in the Manila theater scene, and I was thrilled to see them everyday at work.

On board in 2005 were two of Manila’s finest leading men of the theater, Noel Rayos and Roy Rolloda. I had worked with belters Jinky Llamanzares and Tex Ordonez in the Manila production of “Dreamgirls.” Thespians Pheona Baranda and Shiela Valderrama were also part of that opening team. They kicked things off and soon, others would follow.

Ralion Alonzo



Over the next seven years, other familiar faces from Manila’s theater scene would lend their voices to the entertainment world of HK Disneyland. Leading ladies Cris Villonco and Maita Ponce and theater heartthrob Felix Rivera have all essayed roles on the “Golden Mickeys” stage. Kakki Teodoro of “Batibot” fame sang and danced in the “High School Musical” show.

Theater-pop artists like Anna Fegi joined the cast of the “Festival of the Lion King,” and Raki Vega was in the “Golden Mickeys,” too. Their performances, along with those of the other Filipinos in the shows and parades all over the theme park, have earned much praise from Disney executives, guests from all over the world, and fellow Filipinos.

Their success is quite a tribute really to the Filipino dance groups, theater companies and orchestras that had prepared them all so well.

Felix Rivera



Incredible memories

But recognition is only part of what draws hundreds of performers every year to Disneyland auditions. Walt Disney said, “My business is making people, especially children, happy.” And that’s it. That’s the key.

When your job is not only doing something you love to do, but making incredible memories for kids, young and old, to take back home, to look back on, to share—that’s the real fun. You put your marquee name aside for a while and become a Disneyland cast member, the heart of which is much more than just performing. It’s changing other people’s lives.

For any cast member who has had a great day at work, there is for sure a guest who has gone home with a smile. And for any guest who has had an incredible day at Hong Kong Disneyland, there is for sure a Filipino cast member who has played a part in that.

And that, in a word, is magical.

The author is on his seventh year as music director of Hong Kong Disneyland.

 

Saturday, November 17, 2012

...the Canadian filmfest winner

Musical 'Prison Dancer,' inspired by Cebu's dancing inmates, wins Canadian filmfest

 
November 17, 2012
 
 
"Prison Dancer," the musical series staged by a group of Filipinos in Canada and inspired by the famous "dancing inmates" in Cebu, recently won an award at the Toronto Reel Asian International Film Festival.

The festival's website said "Prison Dancer" won the Reel Asian Best Canadian Film or Video category.

The Toronto Reel Asian International Film Festival, largest Asian film festival in Canada, began in 1997.

Considered as “a unique showcase of contemporary Asian cinema and work from the Asian diaspora,” the festival showcases films and videos from East and Southeast Asian artists from all over the world.
“Prison Dancer,” a musical web series that can be viewed on YouTube, stars a Filipino-Canadian cast led by comedian Mikey Bustos.

The musical was inspired by the so-called “dancing inmates" from the Cebu Provincial Detention and Rehabilitation Center in the Philippines.
 
 
Bustos, a Canadian Idol finalist, rose to fame because of his viral “How to Be Filipino" videos on YouTube.
 
 
On Monday, upon learning that the musical won, Bustos tweeted: Congrats to @prisondancer "Winner of Best Canadian Feature Film/Video" at Toronto's Reel Asian Film Festival @gmanews pic.twitter.com/Tt5vfkuO
 
"Prison Dancer" story
 
 
With an estimated running time of 13 episodes with around “eight minutes of three to four branching videos," this interactive web musical tells the jail time stories through Matt Wells, the known music and pop culture reporter (playing himself) who is assigned to report about the dancing Filipino inmates who became YouTube sensations.
 
 
The story takes the form of combined “faux documentary styles" and traditional musicals, where Wells “uncovers the personal, poignant, hilarious, and universal life journeys" of “prisoners" including:
 
  • Ruperto Poblador a.k.a. Lola (played by Jeigh Madjus), who lets his boredom slip in his tiny cell by coming up with dance routines and song numbers that he performs discreetly with his gay minions, Oo oo (Joseph Seville) and Nana (Pierre Bayuga);
  • Cherish (played by Catherine Ricafort), the Warden’s daughter;
  • Christian (played by Bustos), Cherish’s secret love and the newest inmate;
  • Shakespeare (Nicco Lorenzo), the resident poet; and
  • Hookaps (played by Normal Alconcel), the prison hustler.
- VVP, GMA News

Wednesday, July 18, 2012

'Prison Dancer' debuts as stage musical in NY

07/18/2012
 
 
NEW YORK - The hit YouTube musical “Prison Dancer” is debuting as a stage musical at the New York Musical Theatre Festival (NYMF) on Friday, July 20.
 
 


New Yorkers had a glimpse of “Prison Dancer” the musical in a two-song preview at the Toshi’s Living Room in Manhattan Monday night.

Prison Dancer revolves around the lives of eight Filipino maximum security prisoners whose lives were changed forever after a video of their dance-based rehab program became a viral internet sensation on YouTube.




Prison Dancer was inspired by the YouTube video of the “Dancing Inmates” of Cebu in 2007, a viral video that made headlines all over the world.

“The North American audience really took to this lovely story of people who did wrong, or who committed crimes getting a second chance or second lease in life by dancing,” said Ana Serano, producer and founder of CFC Media Lab.

Jeigh Madjus who plays “Lola,” a gay inmate who became the inmates’ choreographer said, “Prison Dancer is about finding yourself through dance in a dark place like the prison. It’s set in a prison, and basically everyone is looking for love, is looking for freedom, is looking for something in their life and they find it through the dance.”

The musical stars Jose Llana who plays the role of Christian Escudero, the part originally played by Canadian Idol Mikey Bustos.

Llana said, “I think this is definitely the next big Filipino thing in New York and on Broadway. I think we’re all very proud to be part of that.”

The New York Musical Film Festival has been a launching pad for a remarkable number of successful musicals like “The Altar Boys” and Pulitzer Prize winner “Next to Normal.”

Producers are hoping that the new musical could be the next “Rent” or “Miss Saigon” that will showcase the Filipino talent in live theaters shows worldwide.

“It’s OPM, Original Pinoy Musical. It’s about Filipinos. It’s created by Filipinos. It’s being performed by Filipinos,” said composer, writer and lyricist Romeo Candido.